![]() Many photographers tend to avoid learning intermediate or advanced techniques because they don’t want to put in the extra effort or feel like their images are ‘good enough’. I know it sounds confusing at first but after you’ve gone through the step-by-step process and tried it for yourself, you’ll see that it’s not as hard as it sounds. Only the sharpest areas from each image are used in this blend, which results in the image having a sharp foreground, middle ground and background. These images are then imported into a photo-editor and blended/merged together. one image that focuses on the foreground and another that focuses on the background. We’ll come back to the exact step-by-step guide to focus stacking in a bit but the main idea of the technique is to capture two or more images with different focal points i.e. While there are photographers who use it for portrait and wildlife photography too, it’s less common (and a lot more difficult) to use when photographing moving subjects. The technique requires the use of both a camera and a post-processing software such as Adobe Photoshop or Helicon Focus.įocus stacking is used within many genres of photography but it’s perhaps most commonly used in landscape and macro photography. Focus Stacking was essential to get a sharp image due to the wide-angle lens and distance between immidiate foreground and background. ![]() Simply put, focus stacking is an intermediate technique that makes it possible to create image that are sharp from the very front and all the way to the back, no matter the distance between the closest foreground and background. Let’s take a closer look at what focus stacking for sharper images is and how you can quickly learn and implement this technique in your own workflow. It’s used by photographers of all levels and, with a little basic understanding of photography and post-processing, it’s not as difficult as one may think. Of course, the ultimate aim is to get the image right in-camera.Focus stacking is a go-to technique for landscape photographers to achieve images that are razor-sharp from front to back. ![]() ![]() So why use DPP 4? Well the images speak for themselves, and out of preference here at EOS magazine we would rather have the camera and computer doing all the work rather than spending hours correcting substitute settings added by non-Canon RAW converters. Did you have the wrong white balance set when shooting? No problem – just change the white balance setting in DPP and it's instantly put right. And, just as usefully, those settings can be undone, or altered as needed. Open the images in DPP and those corrections are done for you. And that takes time, regardless of how proficient you may be.Īsk yourself, could that time be better spent elsewhere? Now of course, all these settings and their effect on the image can be replicated in other RAW converter software, but you have to make the corrections manually. A further setting – Distortion correction – can also be turned on within the camera. The example shown above is Peripheral illumination correction, but on the latest models there are additional corrections applied automatically – Chromatic aberration correction and Diffusion correction. In third party software, they are discarded. These corrections are applied automatically to JPEG images but they will only be used on RAW files by Canon’s DPP software. Your EOS camera will automatically correct for common lens aberrations if you use Canon lenses. The images below were all opened as RAW files in Adobe's Photoshop and Canon's Digital Photo Professional and converted to JPEG, with no corrections done. Here are five key settings and Canon features which will be stripped out or substituted with generic processes by third party RAW converters. So if the ‘recipe’ is patented, when it comes to camera algorithms, how can you possibly get the same results with a third-party brand imitating what the original does? after all Coca Cola is patented – you cannot make the same recipe – and other brands simply do not taste the same. Much of the data saved with the file are algorithms that are patented by Canon. However, the software can only apply generic settings. If you use third party software, there is an option to process the RAW file using the camera settings. ![]() These settings are then applied automatically when the RAW conversion is done, but only if using DPP. The camera saves the RAW image file without applying any corrections, but instead saves the settings you have chosen as data within the image file. If you shoot RAW the process is different. ![]()
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